![]() ![]() And you can easily combine the minute details so that your story fits. After all, if I tell you your work will have a setup followed by three acts, am I constraining you to paralysis? Of course not. Other reviewers see this provided outline as constraining. Contour just gives you a few pegs to drape your story onto so that it stays within the stricture of something that we would recognize as a movie. After all, the outline isn’t your story, nor is it a guarantee of success. A bare outline of how a story develops can easily be used as a way to write 20 novels or 20 screenplays. Each of the movie’s three acts (Orphan, Wanderer/Warrior, Martyr) is similarly detailed, with applicable plot points placed at typical story points. It starts with Questions and an archetypes, and the software tells you how much to write when targeting a typical 120-minute movie. The software essentially teaches you the method itself.īy including familiar stories (American Beauty, Liar Liar, Star Wars, and more than a dozen others), you see how a screen story is build. But don’t think you need to buy his book to use Contour. The entire system is detailed in MY STORY CAN BEAT UP YOUR STORY!, Schechter’s book. When you start writing with Contour, your story is formed by following screenwriter Jeffery Alan Schechter’s successful distillation of what makes a successful screenplay. He would have been an ideal candidate for Contour: using a similar structure to develop stories that are still relevant 100+ years later. ![]() Some are better than others, but he manages to show his genius through 20 novels that all have a similar structure. He spent most of his professional career working on these novels. (Check out the 19th-century version at ). ![]() He mapped out the entire family tree of the Rougons and the Macquarts before writing the novels. Zola wanted to explore how several generations of a family, each generation inheriting problems from the previous, managed to get through this turbulent historical period.Īnd Zola, well, he was a planner. That’s the historical period where Paris, the cramped and overgrown medieval town was completely redesigned into the Paris we know today. They follow a family through the years of the Second Empire. He was a late 19th-century writer known for his cycle of 20 novels called the Rougon-Macquart series. One of my degrees (I have five, and apparently an addiction to school) is in French Literature, and anyone in the business of Littérature is familiar with Émile Zola. Anyone writing stories could get just as much use of this as a screenwriter. Bonus: You don’t have to be a screenwriter to benefit from it. Contour, software designed to get screenwriters up and running quickly, does exactly that. Your main character's journey is explained through archetypal themes - the same kind of themes used by most of the top 50 movies that have affected millions of viewers - maybe even you!Īt its most fundamental level, software solves a problem you have. Shhh! It's a Secret! - Contour explains the major storytelling secrets needed to craft a highly marketable movie. Taking your idea and using a fill-in-the blanks and intuitive approach, Contour guides you as to what elements need to be part of your story outline - you're never left to wonder, "what comes next?". Minimum Theory, Maximum Story - Unlike other story development systems which are either so complicated that you don't know where to start or so light-weight as to wonder, "why in the world did I buy this?", Contour is a must-have for every screenwriter. Contour shows exactly what elements need to be in a script, never leaving the question, "what comes next?" The software uses the same character-based structure that most every blockbuster movies uses to create well-written stories from Fade In to Fade Out. Contour was developed in collaboration with Emmy Award-nominated Jeffrey Alan Schechter Contour is a proven, fill-in-the blanks story development system that has generated millions of dollars worth of writing assignments and script sales.
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